I Swear, Kirk Jones’s biographical drama based on the life story of John Davidson, a Scottish man with Tourette’s syndrome, took 9 nominations, while Lynne Ramsay’s latest film Die My Love got 8.

The collection includes Jones’s personal 16mm copies of the Monty Python feature films.

Applications are now open for the BFI National Lottery Audience Projects Fund, which will award £19.7m of National Lottery funding over three years to support the exhibition and distribution of ...

This Halloween, we revisit Rhidian Davis’s reckoning with the gothic’s many monstrous manifestations, from silent film to Hammer horror to Twilight. From our November 2013 issue.

Eros and Thanatos battle it out in these horny Halloween horrors, where monstrosity, repressed sexuality and devilish decadence feed into some truly transgressive movies.

Over half a century and around the globe, Laura Mulvey’s influence on thinking about film, through her writing and her own filmmaking practice, has been unparalleled. As she receives a BFI Fellowship, ...

Ahmed stars Ash, a go-between for corporate whistleblowers, in Justin Piasecki and David Mackenzie’s smart surveillance conspiracy plot.

Coming to BFI Player this November are films by Bong Joon Ho, Gaspar Noé and Ken Loach, plus a subscription exclusive for Saoirse Ronan in The Outrun.

The stars of Guillermo del Toro’s inimitable new spin on the Frankenstein story tell us why, like the creature itself, the director’s reimagining is pieced together from some unexpected parts.

Palestinian filmmaker Kamal Aljafari’s vibrant documentary about everyday life in Gaza circa 2001 is an act of preservation and resistance writes Arron Kennon, one of the critics on this year’s LFF ...

To play or not to play? This toy theatre was produced to help publicise Laurence Olivier’s Oscar-winning version of Hamlet. Ian McKellen remembers getting one for Christmas.

Learn more about an exciting new exhibition shining a light on the BFI National Archive, some recent study days and what the archive looked like in the 1980s.