Greaser’s Palace (Robert Downey Sr., 1972). Courtesy of Anthology Film Archives.

This article is part of Film Comment’s Best of 2025 coverage. Read all the lists here.

Expanded time: exceptional scenes from Happyend, The Mastermind, and The Secret Agent stir the viewer out of the solipsism of ...

The dozen or so theaters that regularly offer repertory programming in New York afford a vantage on a vast moviegoing landscape that can be traversed nonstop. Here everything old is new again—what ...

Drumroll, please: critics Bilge Ebiri and Amy Taubin join for a real-time countdown of the films topping our year-end critics ...

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There’s nobody on this set who’s got a bigger dick than he does. Whatever he wants, he gets. —a Milagro production assistant. Even in this remote location, Robert Redford can’t escape the glare of the ...

There’s something strangely sedating about being at the Venice Film Festival. The annual Mostra Internazionale d’Arte Cinematografica takes place not in Venice proper, but on a tiny island called Lido ...

Roman Polanski’s life experience is predicated upon violence and absurdity. As an accused and convicted sex offender on the lam for nearly half a century, Polanski is toxic, although it has taken a ...

On the final Saturday of the Cannes Film Festival—a day of repeat screenings of Competition films that culminates with the awards ceremony—I woke up in my apartment to no lights, no Wi-Fi, no AC. I ...

At that performance, director Robert Rossen was impressed, and later cast Hackman in a small role in LILITH with Warren Beatty. Three years later, Beatty remembered Hackman and cast him in BONNIE AND ...